Trai buon nguoi thu gan 10 ti dong dan dau phong ve du dang chieu som

The Vietnamese box office landscape has witnessed a significant shift in late September as the cinematic project Trai buon nguoi, directed by Toni Duong Bao Anh, has achieved a remarkable commercial milestone. Despite being in the early screening phase, the film has surpassed the 10 billion VND revenue threshold, signaling a strong start that defies the recent trend of underperforming local productions. According to statistical data provided by Box Office Vietnam, the film’s performance by the evening of September 24 reached approximately 6.8 billion VND in single-day ticket sales, accounting for over 77,000 tickets sold across 1,227 screenings. This robust opening has generated widespread discussion among industry analysts and audiences alike, marking a potential turning point for domestic cinema in a highly competitive market.
A Five-Year Journey from Concept to Screen
The success of Trai buon nguoi is the culmination of a rigorous five-year development process. According to the production team, the project’s timeline was meticulously divided to ensure both narrative depth and technical quality. The initial three years were dedicated entirely to the development of the screenplay, focusing on refining the social commentary and character arcs that underpin the film’s premise. The subsequent two years were allocated to the physical production, encompassing principal photography and the complex post-production phase.
The narrative of Trai buon nguoi delves into pressing contemporary social issues, focusing on the plight of individuals forced into precarious circumstances and their arduous journey toward survival. Rather than relying solely on action-oriented tropes, the film emphasizes the psychological toll of the characters’ decisions, exploring the moral dilemmas they face as they strive to protect their lives and dignity. This focus on human struggle against systemic adversity has resonated with local audiences, contributing to the film’s early momentum.
A Massive Production Scale and Artistic Collaboration
One of the most notable aspects of the production is its sheer scale. The film features a diverse ensemble cast, including veteran and acclaimed actors such as People’s Artist Nhu Quynh, Meritorious Artist Tuyet Thu, Steven Nguyen, Quach Ngoc Ngoan, Quach Ngoc Tuyen, Huynh Minh Kien, Khanh My, Vu Dinh Hieu, Tung Mint, and Pong Chuon.

The logistical requirements of the production were equally ambitious. Reports from the production team indicate that certain sequences involved more than 700 actors simultaneously, highlighting the technical complexity of the film’s set pieces. Over the course of the project’s lifespan, the total number of crew members and performers involved in the production exceeded 10,000 people. This collective effort was recently recognized by the Vietnam Records Organization, which awarded the production a certificate acknowledging its scale, particularly regarding the number of participants and the complexity of its action-oriented scenes within a contemporary social-themed film.
Market Context and Competitive Dynamics
The release of Trai buon nguoi arrives at a critical juncture for the Vietnamese film industry. In recent months, several domestic films have struggled to maintain audience interest, often facing sharp declines in ticket sales shortly after their theatrical debuts. By securing a dominant position in the daily box office charts, Trai buon nguoi has challenged this narrative, demonstrating that there is still a significant appetite for locally produced content if the quality and promotional strategy are aligned with audience expectations.
On September 24, the day the film solidified its position as a market leader, the box office landscape was notably crowded. Other films competing for the audience’s attention included the Soobin live concert movie: All Rounder, which generated 2.1 billion VND from 88 screenings, and the international blockbuster Avengers: Endgame, which maintained a similar daily revenue of 2.1 billion VND.
Meanwhile, the film Lan huong, which had previously enjoyed a period of market dominance, has seen its revenue taper off, recording 1.5 billion VND for the day and placing fourth in the daily rankings. Another notable mention is Dat Lan 2, featuring Meritorious Artist Kim Phuong and artist Kieu Oanh, which brought in approximately 1.4 billion VND on the same day, bringing its total cumulative revenue to 33 billion VND.
Implications for the Local Film Industry
The early financial success of Trai buon nguoi suggests several key implications for the future of Vietnamese cinema. First, the investment in long-term script development—as evidenced by the three-year pre-production phase—appears to be a viable strategy for capturing the interest of a more discerning audience. Second, the ability to mobilize large-scale production resources while maintaining a thematic focus on social reality demonstrates a maturation in the industry’s capacity to handle complex, high-budget projects.

Industry analysts are now looking toward the upcoming weeks to see if the film can maintain its trajectory. With a current revenue exceeding 10 billion VND during its early screening phase, expectations are high. Some projections suggest that if the current momentum continues, the film could reach the 100 billion VND milestone, a benchmark often associated with "blockbuster" status in the domestic market.
Furthermore, the positive reception on social media platforms indicates that word-of-mouth marketing is playing a pivotal role. The curiosity surrounding the film’s large-scale scenes and its realistic portrayal of contemporary life has driven foot traffic to theaters, proving that high-production-value films that address relevant social concerns can succeed in a post-pandemic environment.
Conclusion: A Benchmark for Future Projects
The achievement of Trai buon nguoi serves as a case study for both independent and studio-backed filmmakers in Vietnam. It highlights the importance of balancing artistic vision with logistical precision. By successfully navigating the challenges of a crowded market and maintaining high standards throughout a five-year production cycle, the team behind Trai buon nguoi has set a new benchmark.
As the film continues its theatrical run, the industry will be watching closely to see if it sustains this performance. The success not only provides a much-needed boost to the box office revenue for the current quarter but also reinforces the potential for domestic stories to compete with international imports. Whether the film reaches the elusive 100 billion VND mark remains to be seen, but its current standing is a testament to the dedication of the filmmakers and the evolving tastes of the Vietnamese audience. As local productions continue to evolve, the success of this project serves as a clear indicator that the appetite for high-quality, culturally relevant, and ambitiously produced Vietnamese cinema remains stronger than ever.






